
Recorded live on October 22, 1994 at the Fez Room under the Time Cafe, N.Y.C.
Mastering: Funkhouser Mastering.
Tributo alla musica di Bob Marley. The Tuff Gong Sessions
un poetico viaggio notturno accompagnato dal suono del violoncello. tutto cio che harriet desidera e perdersi nel suono dolce del suo violoncello. le sue mani danzano mentre l`archetto sfiora le corde, e una danza e anche la bourree, una delle sei suite per solo violoncello di bach - composizioni che mostrano la sua grande abilita nel creare partiture fatte di complessi giochi di linee melodiche. ma poi arriva l`imprevisto: la signora luna cade dal cielo e harriet inizia un`esperienza di cambiamento. nella fiaba musicale, dove la voce di alessia canducci accompagna l`esecuzione di lucrezia castiglioni, le note del violoncello sono i pensieri e le emozioni della bambina, sono le parole riconoscenti degli amici della signora luna, sono le paure che si tramutano in fiducia nello spazio protetto del cielo. eta di lettura: da 5 anni.
tobold, il fratello maggiore di simon, e venuto in citta per passare una giornata insieme a lui. ma non una giornata qualsiasi: i due fratelli sono andati al cinema e al museo, hanno fatto un giro sulle giostre e persino in monopattino! al momento di tornare a casa sua, tobold si precipita a prendere l`ultimo autobus che sta per partire... nella fretta, pero, si dimentica di dare il bacino dell`arrivederci a simon! ma grazie a un`incredibile serie di imprevisti, la fortuna dara a tobold l`occasione di ritrovare presto il suo fratellino eta di lettura: da 3 anni.
The CD also includes a video of Ms Blaszko singing three songs - Oro Y Plata, Fiesta Y Milonga and Toda Buenos Aires.
Album numero sette per la band noise rock sperimentale giapponese.
rec oct 92 at b.c. studio bklyn
con Flavio Boltro alla tromba, Mauro Negri al clarinetto, Lucio Terzano al contrabbasso e Mauro beggin alla batteria.
In trio con Marcus McLaurine al basso e George Gray alla batteria con ospite Feya Faku alla tromba
THE COMPLETE BLUE NOTE SESSIONS contains the previously released albums TWO SOULS IN ONE (84148), SOUL STREAM (84161), and EXTENSION (84171).
TWO SOULS IN ONE: Recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey on September 4, 1963.
SOUL STREAM: Recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey on December 16, 1963.
EXTENSION: Recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey on March 27, 1964.
For the 37-piece orchestra and four slide projectors. Recorded by the composers and improvisors [sic] orchestra and dedicated to the master composer Karlheinz Stockhausen
Recorded at the Cornish Institute, Seattle, Washington, May 30, 1981
c & p 1993
CD 1 recorded live at Rote Fabrik, Zürich on October 21, 1993.
CD 2 recorded at Großer Sendesaal WDR Köln on October 22 & 23, 1993.
Edition of 3000 CDs in digisleeve.
? + © 2004
Made in Switzerland.
Composition N. 247 is dedicated to Oum Kaltsoum
Recorded in Middletown, Connecticut, May 15, 2000
Engineered at LMC Studio, London
Recorded at Wesleyan University, October 26, 2002.
Mixed and mastered December 28, 2002.
Compositions by Andrew Cyrille ( Major-A-Music, ASCAP ) and Anthony Braxton ( Synthesis Music, BMI ).
Produced by Intakt Records. Published and Copyright by Intakt Records ( except Water, Water, Water and Excerpt From The Navigator, Composition No 311, Dr. Licks ).
Includes 24 pages booklet.
Recorded March 12, 1959. NYC.
Bill Evans is in the right channel, Bob Brookmeyer is in the left channel.
Questo progetto è stato concepito come un modo per onorare Bob Brookmeyer nel giorno del suo settantesimo compleanno con composizioni o arrangiamenti di nuova scrittura in suo onore.
Registrato il 3-5 settembre 1999 a Ludwigsburg, Germania con Ed Partyka Jazz Orchestra.
Recorded 'live' at The Onyx Club, Miami, February 15, 1956
Originally released as Savoy MG 12069.
Recorded on April 24, 1997 in Englewood Cliffs, New Jersey.
con Kenny Barron al piano, Rufus Reid al basso e Victor Lewis alla batteria.
Con John Patitucci al basso, Billy Hart alla batteria, Chuck D'Aloia alla chitarra e Dave Pike al vibrafono. Recorded March 4 & 5, 1999.
Il meglio della brava vocalist
? & © 1997 Dee Dee Bridgewater
Previously unreleased performances from the same concert that produced "Jazz at the College of the Pacific" (Fantasy 3223/OJCCD-047-2).
Recorded at the College of the Pacific, Stockton, CA; December 14, 1953.
Remastering, 2002 - Joe Tarantino (Fantasy)
2CD. Recording date, recording location, master number, original LP issue:
1-1: February 25, 1955 at Capitol Studios, NYC, 11366-2, original LP issue: [r1146247] EmArcy MG 36037
1-2: August 6, 1954 at Capitol Studios, Hollywood, 10877-4, original LP issue: [r=4869491] EmArcy MG 36036
1-3: January 18, 1955 at Fine Recording Studio, NYC, 11117-5, original LP issue: [r=2727146] EmArcy MG 36005
1- 4: August 6, 1954 at Capitol Studios, Hollywood, 10878, original LP issue: [r=4869491] EmArcy MG 36036
1-5: December 16, 1954 at Fine Recording Studio, NYC, 11077-8, original LP issue: [r=3050687] EmArcy MG 36004
1-6: February 25, 1955 at Capitol Studios, NYC, 11365, original LP issue: [r1146247] EmArcy MG 36037
1-7: February 25, 1955 at Capitol Studios, NYC, 11368-4, original LP issue: [r1146247] EmArcy MG 36037
1-8: August 6, 1954 at Capitol Studios, Hollywood, 10880, original LP issue: [r=4869491] EmArcy MG 36036
1-9: December 22, 1954 at Fine Recording Studio, NYC, 11088-3, original LP issue: [r=2795830] EmArcy MG 36006
1-10: August 3, 1954 at Capitol Studios, Hollywood, 10859-3, original LP issue: [r1146247] EmArcy MG 36037
1-11: January 4, 1956 at Capitol Studios, NYC, 12421-4, original LP issue: [r5294048] EmArcy MG 36070
1-12: January 20, 1955 at Fine Sound Studio, NYC, 11127-7, original LP issue: [r=2727146] EmArcy MG 36005
1-13: August 2, 1954 at Capitol Studios, Hollywood, 10858-2, original LP issue: [r=4869491] EmArcy MG 36036
1-14: February 24, 1955 at Capitol Studios, NYC, 11364-8, original LP issue: [r=4869491] EmArcy MG 36036
2-1: September 19, 1956 NYC, 13767, original LP issue: [r2947617] EmArcy MG 36098
2-2: September 17, 1956 NYC, 13770, original LP issue: [r2947617] EmArcy MG 36098
2-3: March 20, 1957 NYC, 15189, original LP issue: [r=8149640] EmArcy SR 80002
2-4: December 20, 1957 at Fine Recording Studio, NYC, 16637-1, original LP issue: [r=6557192] Mercury (Japan) 195J-39
2-5: December 23, 1957 at Fine Recording Studios, NYC, 16647, original LP issue: [r=3585945] EmArcy SR 80019
2-6: July 6, 1958 at Newport Jazz Festival, Rhode Island, 17646, original LP issue: [r=4655492] EmArcy SR 80010
2-7: July 6, 1958 at Newport Jazz Festival, Rhode Island, 17645, original LP issue: [r=4655492] EmArcy SR 80010
2-8: August 1958 at the Music Inn, Lenox, Massachusetts,17925-6, original LP issue: [r=3191113] EmArcy MG 36144
2-9: September 22, 1959 probably at Universal Studios, Chicago, 18137-5, original LP issue: [r=7924224] Mercury SR 60911
2-10: January 1960 at Fine Recording Studio, NYC, 18785, original LP issue: [r=3738769] EmArcy MG 20491
2-11: January 1960 at Fine Recording Studio, NYC, 18780, original LP issue: [r=3738769] EmArcy MG 20491
2-12: March 1960 in Paris, 19902, original LP issue: [r=4123645] Mercury SR 60760
2-13: October 1960 at Universal Studios, Chicago, 19317-7, original LP issue: [r=2777178] Mercury SR 60215
This compilation:
? 1995 Polygram Records, Inc.
© 1995 Polygram Records, Inc.
CDs pressed in Germany.
Comes in a 2-CDs standard jewel case with a 16-page booklet including 1994 liner notes in English only and B&W photographs from the sessions.
Recorded at Eric Dolphy's home, Los Angeles, CA in June or July 1954 (tracks 1 to 5).
Recorded at Eric Dolphy's or Clifford Brown's home, Los Angeles, CA ca. 1954 (tracks 6, 7).
Track 7 details only mentioned in the CD's liner notes.
Rare Live Recordings - Only For Collectors.
Technical Specification: The music on this cd comes from non-professional private tapes and it's technical sound quality its not up to today's standarts. However, it is released because of the impotance of the musical involved and of its high musical and historical value. Every effort has been made to improve sound quality through advanced restoration technologies.
Clifford Brown + Eric Dolphy: Previously unissued. Their only recorded encounter.
Tracks 6, 7 are the only extant versions of these songs by Brown.
Total time: 71:46
? & © 2005 by Rare Live Recordings.
Made in E.U.
Recorded at Riverside Studio on March 3&4, 1998
© ? 1998 Delmark Records
Photography © Marc PoKempner 1998
Recorded July 28, 30 and August 23rd, 1958 at the Columbia 30th St. Studios, New York.
Recorded live in Berlin, Germany, February 22, 1958. Rare live recordings - only for collectors.
Tracks 1 and 4 are previously unissued.
TRT: 75:30
Digipak sleeve.
This release presents two rarely heard Newport performances. It also includes two live bonus tracks from a radio broadcast taped during a concert in Hannover in 1958.
1-4: Newport Jazz Festival. Newport, Rhode Island. July 6,1956
5-8: Newport Jazz Festival. Newport, Rhode Island. July 5,1959
9-10: Hannover, Germany. February 28,1958
Recorded at Studios Europe Sonor, Paris, France.
Recorded at El Pie Studio, Buenos Aires, Argentina, January 20-24, 1999
Recorded & mixed at Power Station "A", NYC, May 1993
Mastered at Sterling Sound, NYC
Post-production at The Review Room/NYC
Recorded at Avatar Studio "C", New York City, May 11, 23, 24, 2000, and Berklee Recording Studio, Boston, MA, June 3, 2000
1-1, 1-6, 1-8 to 2-4, 2-6 to 2-8, 2-10, 2-11 & 2-13: Copyright Control
1-2: Copyright Island Records. Courtesy of Stoned Heights
1-3: Copyright Control / Warner Chappell Music Ltd.. Courtesy of Stoned Heights
1-4 & 1-7: Complete Music / Copyright Control
2-5: John Cale Music. Inc (BMI) / Ratso Music (BMI)
2-9 & 2-12: Copyright Control / Delinquenté
A Delinquenté Production for Sub Rosa
Preproduction and recording: Twin Arrows, Brixton, London
Postproduction and mixdown: Musica Numeris, Brussels
(P)(C) 1996 Sub Rosa
The series does not appear on the release but is taken from the label's website
Packaging: clear tray jewel case with 32-page booklet
Recorded 1957.
Printed in Japan.
Recorded October 23, 1961 in New York City.
Remastered 2001.
Originally issued on Crown Records CST 190
Recorded in Hollywood February 3, 1960
"Conte Candoli All Stars"
Con Gary Peacock, Paul Bley e Michel Lambert
Recorded June 23, 2003 at Studio Victor, Montreal, Quebec, Canada
peter coniglio e` l`unico che non ascolta le parole della mamma e si avventura nell`orto di mr. mcgregor, ma li` all`improvviso... eta` di lettura: da 5 anni.
al terzo piano di una casa nella citta` di londra, una bambina disegnava bozzetti del suo coniglio, benjamin bouncer. disegnava anche rane, salamandre, tartarughe e topi. il suo nome era beatrix potter. amava la natura e la campagna. eta` di lettura: da 7 anni.
Recorded at Avatar Studio, New York on 23rd, 24th & 25th May 1998.
Mixed at Studio Ferber, Paris.
Mastering at Dyam, Paris
? & © 1998 Disques Dreyfus
Con Bert Joris alla tromba e la Brussels Jazz Orchestra
Recorded at the VRT (Flemish Radio and Television) Studio "Toots" - Brussels
Recording dates: January 3, 4 and 5 2005
Mixed at Studio Toots
(P) 2005 Dreyfus Jazz & VRT/Klara
(C) 2005 Dreyfus Jazz
In quartetto con Tom Harrell alla tromba, Hein Van De Geyn al basso e Michel Herr alle tastiere.
Recorded May 19th & 20th, 1992 at Studio 44, Monster, The Netherlands.
? © 1992 Criss Cross Jazz
Tributo a Tom Jobim in quartetto con Sandro Gibellini alle chitarre, Raffaello Pareti al contrabbasso e Francesco Petreni alla batteria e percussioni.
I due album completi registrati dal bassista e dal pianista Tommy Flanagan dedicati alla città di Detroit e entrambi intitolati Motor City Scene, registrati nel 1959 e nel 1960.
con la cantante e trombettista Andrea Motis
Tracks 1 to 4 recorded in Boston, November 17, 1946
Tracks 5 to 7 recorded in Hollywood, September 21, 1947
Tracks 8 and 23 recorded at same location and date
Tracks 9 to 12 recorded in New York City, January 29, 1947
Tracks 13 to 16 recorded in New York City, March 5, 1947
Tracks 17 to 20 recorded in New York City, March 10, 1949
Tracks 21 to 22 recorded in Boston, April 16, 1949
Includes a 4-page folder.
Con Henri Kaiser. Recorded in December 1997 and March 1998 in Oakland, California.
Registrato dal vivo con Mitteleuropa Orchestra.
Improvviso IV registrato con John Carter al clarinetto e Vinnie Golia agli ottoni a KPFK, Los Angeles, July 16, 1979.
Ostinato in Blue reguistrato in duo con Gregg Goodman a the Finger Palace, Berkeley, December 10, 1978.
All improvisations by the musicians
Recorded June 20, 21, 1989.






