Recorded at Systems Two, Brooklyn, NY in August and December 2000
Digisleeve
? 2001 © 2001
Printed in Canada.
Track 1 recorded August 20, 1969; track 2 recorded July 2, 1969. Recorded at Sound Studios, Inc. Track 2 re-mixed from the original master tape.
? 1993 Prestige Records Limited © 1994 Prestige Records Limited
Made in Japan with OBI, Live at Modern Art Museum,Paris Nov 24&25,1984 con Michael Sardaby
Recorded June 3 & 4, 1992 At Mastersound, Astoria Queens, New York.
Special Thanks To George Cardas.
Tracks 1-3 recorded live at the Montreux Jazz Festival on July 16th, 1995
Tracks 4-8 recorded at Studios Aquarius, Geneva on July 17th & 18th, 1995
Con Maria Pia De Vito alla voce e Antonello Salis alla fisarmonica.
Recorded in New York, 1958.
Tracks 8 & 9: Bonus tracks
Album del 2000 del chitarrista jazz
l`amicizia tra un folletto portafortuna e una volpina nella magica atmosfera della tradizione cinese. ogni anno, alla vigilia del capodanno cinese, la fata della luna assegna a piccoli folletti il potere magico di portare fortuna. i folletti portafortuna, rilucenti di un`aura bianca, partono alla volta della terra per offrire felicita e prosperita ai suoi abitanti. quest`anno, pero, uno di loro si e addormentato ed e arrivato troppo tardi alla distribuzione di magia. non si scoraggia e parte ugualmente... ma chi vorra accogliere un piccolo spirito senza nessun potere magico? sara l`incontro con una volpina gentile e il suo papa a cambiare il destino di un ristorante di ramen e del piccolo folletto portafortuna. eta di lettura: da 4 anni.
se fossi un uccello, giocherei con le onde, lasciandomi accarezzare dall`acqua salata che bagna le mie piume. se fossi un uccello, volerei sopra i campi dall`inizio della primavera fino alla fine dell`inverno, con lo sguardo spalancato sulle meraviglie del mondo. se fossi un uccello, berrei l`acqua gelida dei fiumi, rispondendo con pazienza alle mille domande curiose delle rane. ma... non sono un uccello. e proprio per questo, posso imparare a vedere il mondo con la stessa meraviglia e leggerezza di chi sa volare. un libro che e una carezza, una pausa di poesia per ritrovare il gusto di osservare e ascoltare. eta di lettura: da 3 anni.
un piccolo pettirosso osserva quello che fanno i vari amici del bosco in primavera. dopo il lungo letargo invernale, gli animali si risvegliano e anche il pettirosso, ormai cresciuto, e pronto a spiccare il volo. un libro dalle illustrazioni delicate, arricchito a ogni pagina da dettagli iridescenti, che spiega l`avvicendarsi delle stagioni osservando i cambiamenti della natura. eta di lettura: da 5 anni.
nel bosco e iniziata la primavera, e gli animaletti sono impegnati in varie attivita. la coniglietta cerca il fiore perfetto per la festa della mamma; il topolino si prende cura di un germoglio; il bruco affronta la paura del cambiamento, mentre l`orsetto lavatore riscopre la gioia dello stare con gli altri. cinque brevi racconti, ambientati in primavera, grazie agli elementi e alle situazioni tipici della stagione affrontano temi universali come gentilezza, amore, amicizia, cambiamento e collaborazione. una raccolta di racconti semplici ma teneri e ricchi di messaggi positivi, ideale per trasmettere valori importanti anche ai piu piccoli. un valido strumento per imparare l`alternanza delle stagioni e del loro effetto sulla natura. eta di lettura: da 3 anni.
Recorded at Sorcerer Studios in New York City on August 20 & 21, 1996
? & © 1997 Intuition Music/IMM
L'unico album del chitarrista jazz rock/fusion svedese.
(P)1995 Shanachie Entertainment Corp.
Bluesiana hurricane is the fourth volume of the grammy nominated "Bluesiana series"which brings together master musicians from the realms of jazz,blues,r'n'b' &rock for New Orleans rooted blowing sessions.
The Body Acoustic è un'entità poliritmica organica: un coro di voci disparate che cantano in contrappunto; Una forma di richiamo ritmico e di risposta che celebra il corpo acustico come danza - un'amalgama a più livelli di grooves...
Con D.D. Jackson al piano e alle tastiere e Mor Thiam al djiembe e alla voce. Recorded at System II Studios, Brooklyn, New York, 20-21 July 1997.
Recorded at Sear Sound, NYC in 1994
Mastered at Foothill Digital, NYC
Executive Producer: DIW / Disk Union
Title also appears on the release as “The E.P. Collection”.
Recording locations, recording dates, ? and original [l47558] matrix Nr.:
. Track 1: New York, Jan 10, 1951, ? 1951 GML Inc., K9007-1
. Track 2: New York, Jan 23, 1951, ? 1951 GML Inc., K9018
. Track 3: Los Angeles, Apr 23, 1956, ? 1956 GML Inc., K9756-1
. Track 4: Cincinnati, Oct 4, 1951, ? 1951 GML Inc., K9085
. Track 5: Cincinnati, Apr 7, 1952, ? 1952 GML Inc., K8202
. Track 6: Los Angeles, Aug 15, 1952, ? 1952 GML Inc., K9172
. Track 7: New York, Jan 23, 1951, ? 1951 GML Inc., K9020
. Track 8: New York, Dec 17, 1952, ? 1953 GML Inc., K9225
. Track 9: New York, Mar 23, 1950, ? 1950 GML Inc., K5878
. Track 10: Cincinnati, Aug 4, 1953, ? 1953 GML Inc., K9325
. Track 11: New York, Oct 13, 1950, ? 1950 GML Inc., K5978
. Track 12: Cincinnati, Apr 7, 1952, ? 1952 GML Inc., K8200
. Track 13: Los Angeles, May 4, 1955, ? 1955 GML Inc., K9628
. Track 14: New York, Jan 23, 1951, ? 1951 GML Inc., K9021
. Track 15: Cincinnati, Apr 7, 1952, ? 1952 GML Inc., K8203
. Track 16: Cincinnati, Oct 4, 1953, ? 1953 GML Inc., K9341
. Track 17: Cincinnati, Apr 7, 1952, ? 1952 GML Inc., K8201
. Track 18: Los Angeles, Aug 15, 1952, ? 1952 GML Inc., K9173
. Track 19: Los Angeles, June 6, 1953, ? 1953 GML Inc., K9294-1
. Track 20: Los Angeles, Feb 2, 1957, ? 1957 GML Inc., K9935-4
. Track 21: Los Angeles, May 8/9, 1958, ? 1958 GML Inc., K10076
. Track 22: New York, Oct 8/9, 1954, ? 1954 GML Inc., K8506-1
. Track 23: Cincinnati, Aug 4, 1953, ? 1953 GML Inc., K9328
. Track 24: Los Angeles, May 27, 1954, ? 1957 GML Inc., K9439
. Track 25: Los Angeles, May 27, 1954, ? 1957 GML Inc., K9436
. Track 26: Los Angeles, May 8/9, 1958, ? 1958 GML Inc., K10074
The tracks on this collection are taken from the following EP's:
. Tracks 1, 4 Parlophone Earl Bostic EP GEP 8506
. Tracks 5, 7 Parlophone Earl Bostic EP GEP 8513
. Tracks 6, 8, 10 Parlophone Earl Bostic EP GEP 8520
. Tracks 11, 12, 18 Parlophone EP "Wrap It Up - Chop It Down" GEP 8539
. Tracks 2, 14 Parlophone EP "Earl's Imagination" GEP 8548
. Tracks 9, 15 Parlophone EP "Music A La Bostic" GEP 8571
. Tracks 21, 26 Parlophone EP "Alto Magic" GEP 8754
. Tracks 17, 19 Parlophone EP "Music A La Bostic No.2" GEP 8574
. Tracks 16, 23, 25 Parlophone EP "Music A La Bostic No.3" GEP 8603
. Tracks 3, 13, 20, 22 Parlophone EP "Bostic In Harlem" GEP 8637
. Tracks 24 Parlophone EP "Alto Sax And Mambo Strings" GEP 8565
This compilation:
? 1999 See For Miles Records Ltd. / G.M.L. Inc.
© 1999 See For Miles Records Ltd./ G.M.L. Inc.
Original sound recordings made by G.M.L. Inc.
The trademark Parlophone is the property of EMI Records Ltd. and is used with their kind permission.
Issued in standard jewel case incl. transparent tray and a 10-panel booklet.
Made in the EC.
Country of origin UK
Buddy Miles and Wilber Campbell miscredited on track 4.
Track 8 "Steamwhistle Jump" has unknown Kaye-Mann as writers but it's indeed "Take The A Train" written by Billy Strayhorn.
Quartetto d'archi formato daFulvio Luciani e Elena Ponzoni ai violini, Roberto Terenzi alla viola e Claudia Ravetto al violoncello.
2CD. Albert Ammons, Pete Johnson e Meade Lux Lewis
Il primo album del cantante algerino.
Second in a series of the complete African recordings of Dollar Brand / Abdullah Ibrahim.
Tracks 1 to 4 originally issued on Dollar Brand + 3.
Tracks 5 & 6 originally issued on African Herbs.
Tracks 7 & 8 originally issued on Natural Rhythm.
Track 9 originally issued on Underground In Africa.
Track 10 originally issued on Bra Joe From Kilimanjaro.
con Marco Detto al pianoforte e Simone Massaron alla chitarra, arrangiamenti e direzione orchestrale.
Recorded and mixed at SONORIA Recording Studio, Scordia (Catania/Italia) December 29th and 30th, 2001
1989
Recorded on February 15, 17 & March 4, 1997 at Systems Two Recording Studios, Brooklyn, NY.
These recordings are completely "Live" performances, which were recorded directly to 2 track stereo tape masters. Every selection you hear is unedited, and is not re-mixed, nor do they contain over-dubbed or punched-in phrases.
Con Lester Bowie alla tromba
Tracks 1, 2, 4, 5, 8 and 9 recorded live February 25th 1994, Oslo
Tracks 3, 6 and 7 recorded live November 11th 1994, Bergen Jazzforum
4CD. In quartetto con Marty Ehrlich al sax, Joe Fonda al basso, Arthur Fuller alle percussioni e Anthony Braxton al piano.
In quartetto con Braxton al piano, Marty Erlich al sassofono, Joe Fonda la basso e Pheeroan Aklaff alla batteria.
Recorded live at the Knitting Factory, 1994
Recorded at Wesleyan University, October 26, 2002.
Mixed and mastered December 28, 2002.
Compositions by Andrew Cyrille ( Major-A-Music, ASCAP ) and Anthony Braxton ( Synthesis Music, BMI ).
Produced by Intakt Records. Published and Copyright by Intakt Records ( except The Loop and Composition No. 310 ).
Includes 20 pages booklet.
Recorded at iem cube Graz, August 1-6, 2003. Liner notes date from March/April 2004.
2005, 1st edition. Digisleeve.
? + © 2005 Hat Hut Records Ltd.
Made in Switzerland.
CD 1 recorded live at Rote Fabrik, Zürich on October, 21, 1993
CD 2 recorded at Großer Sendesaal WDR Köln on October 22/23, 1993
?+© 1995
Total times:
CD 61601: 65:00
CD 61601: 65:13
Recorded on 3 November 1999 during the Total Music Meeting at Podewil, Berlin
Total time: 70:09
? + © 2002
In quartetto con Lisle Ellis al contrabbasso, Marco Eneidi al sax alto e Jackson Krall alla batteria
Recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey on March 2, 1961.
"In these reunions the cool-toned tenor blends in very well with the valve trombonist. These sessions are often quite memorable." - John Sumilliani, Jazz Sounds
This collection comprises all the master takes of the quintet leaded by Stan Getz during the years 1953 and 1954 with pianist Johnny Williams and trombonist Bob Brookmeyer.
? & ? 2004 by Disconforme
disconforme sl
Tracks 1-1 to 1-4 May 16, 1953, New York City
Tracks 1-5 to 1-9 July 30, 1953, Hollywood
Tracks 1-10 to 1-12 August 15, 1953, Hollywood
Tracks 2-1 to 2-4 August 22, 1953, Hollywood
Tracks 2-5 to 2-10 November 9, 1954, Los Angeles
Includes an 8-page booklet.
Made in Spain.
? © 1998 Storyville Records
Recorded live at Copenhagen Jazz House, 30 November 1994 by Danish Broadcast Corporation, Jazz Dept.
in trio con Thomas Morgan al contrabbasso e Joey Baron alla batteria.
Recorded live July 2017
at Jazz Standard, New York
Mixed July 2018 at Studios La Buissonne
An ECM Production
? © 2018 ECM Records GmbH
Comes in a standard jewel case (transparent tray) with an O-card and 12-page booklet.
Recorded December 13 & 14, 2000 in New York City.
Recorded September 26, 1956.
quante sorprese racchiude la giornata di un piccolo lupo! a fine giornata, piccolo lupo torna nella sua tana. "racconta, cosa hai fatto oggi?" gli chiede la mamma. "niente di speciale" risponde lui, a cui non piace molto raccontare cosa fa durante il giorno. la sera, prima di andare a nanna, mamma lupo decide di non prendere un libro per leggere una storia a piccolo lupo, ma gli racconta le avventure di un lupacchiotto che attraversa un campo di grano, che sgranocchia delle bacche tra i cespugli, che fa il bagno nel fiume prima di tornare a casa. a piccolo lupo quella storia piace moltissimo, e gli sembra anche molto familiare. eta di lettura: da 3 anni.
un`edizione speciale del libro con qr code di una delle avventure disney piu` amate: la classica storia de il re leone. il volume fa parte della nuova collana i capolavori sonori disney che presenta sulla copertina il qr code per ascoltare la storia recitata. un modo per seguire la storia tramite l`ascolto e tra le pagine del libro, per riviere emozioni in famiglia. eta` di lettura: da 5 anni.
un fantastico libro che risponde in modo semplice e divertente alle mille domande dei bambini sui dinosauri. con oltre 60 linguette da sollevare per scoprire informazioni e curiosita sugli animali piu affascinanti della preistoria. eta di lettura: da 5 anni.
Jim Beard appears by courtesy of CTI Records
Victor Bailey appears by courtesy of Atlantic Records
A Blues suite by Dave Brubeck - Performed by The Dave Brubeck Quartet (tray insert)
Reissue of the 1961 LP album [m110100], tracks 10 and 11 not on original LP.
The album is a jazz interpretation of the Joan Miró painting "1925".
Every piece has different time signature ranging vom 3/4 to 9/8.
Digitally mastered at Sony Music Studios, NYC
Manufactured by Columbia Records/550 Madison Avenue, New York, NY 10022-3211
Recorded live at the Newport Jazz Festival, Newport, Rhode Island, July 3rd, 1958.
Track 8 (bonus track) recorded in Berlin, Germany, February 22nd, 1958
(c)&(p) Gambit Records D.L. AND 425-2009. Made in the EU
Note: Tracks 4, 5 & 6 are actually studio performances with overdubbed applause, according to Tom Lord's Jazz Discography. If you listen to these tracks on headphones, you will notice the differences in the audio. There were also technical issues with the Duke Ellington set that same year and some of the songs from that set were re-recorded for the LP that was released.
Here is a link to a review of this unofficial CD: https://www.allmusic.com/album/newport-1958-brubeck-plays-ellington-mw0000898412/releases
Recorded November 1965 in New York City.
The back cover which lists the tracks and personnel is reproduced from the original 1966 LP issue, which differ from this CD reissue. On releases from 1975 onwards the original track 3 "Exhibition" with Bennie Maupin on tenor saxophone was replaced with "Mephistopheles" with Alan Shorter on trumpet.
2CD. CD 1 & CD 2 Track 1 recorded live at Bee Hive, Chicago, November 7, 1955.
CD 2 Tracks 2-6 recorded live at Basin Street Club, New York City, April 28, 1956.
CD 2 Track 7 recorded live at Copenhagen, November 12, 1953.
CD 2 Track 7: Bonus track
Total Time CD1: 73:24
Total Time CD2: 58:09
2CD. ? & © 2005 by Rare Live Recordings
Made in E.U.
Tracks 1-1 to 2-1: "The Final Concert," Continental Restaurant, Norfolk, Virginia on June 18, 1956 (just one week before Brownie's tragic death).
Tracks 2-2 to 2-6: Newport Jazz Festival, Newport, Rhode Island on July 16, 1955 (2-2 to 2-5 is a Brown/Roach quintet evening concert, 2-6 is jam session with Brown, Chet Baker, Gerry Mulligan and the Dave Brubeck Quartet).
Total time (Disc One): 64:15
Total time (Disc Two): 64:40
Previously unissued.
Peter Brotzmann, Toshinori Kondo, William Parker e Hamid Drake
Recorded during the "30th Total Music Meeting" on November 8/9, 1997 at the "Podewil" in Berlin.
Tray insert:
? + ? 1999 by FMP/Free Music Production
FMP Compact discs are printed and manufactured in Germany
Disc imprint:
Made in Germany
?+? 1999 Free Music Production
Live concerts from the late fifties! No performance dates are given on release.
Joe Dodge and Norman Bates are erroneously credited for each other's actual roles.
Additionally, the track given as "Eleven Four" is actually "Three to Get Ready" from the 1959 album Time Out (along with the included "Take Five" and "Blue Rondo aka Turk"). The composition "Eleven Four" wasn't released until 1962 for the album Countdown-Time in Outer Space, well-past the late fifties.
Made in U.S.A
Recorded direct to 2-track digitally at Clinton Recording Studio, NY on March 31, April 1 & 3, 1992.
? 1992 Nippon Phonogram Co., Ltd.
© 1992 Nippon Phonogram Co., Ltd.
First pressing of the 1998 CD reissue.
Recorded at RCA Victor's Music Center Of The World, Hollywood, CA on August 15, 1967 - August 17, 1967.
Recorded at A&R Recording Studios, NYC, July 23, 1970 (tracks 1 to 5)
Atlantic Recording Studios, NYC, June 2, 1969 (tracks 7, 8, 12), June 3, 1969 (tracks 6 & 9), June 4, 1969 (tracks 10, 11, 13, 14), June 5, 1969 (overdubs on tracks 8 & 12).
Remixed at Regent Sound Studios, NYC (tracks 6 to 14).
Remastered at DB Plus, NYC.
Originally issued as Atlantic #1577, Feb. 22nd, 1971 (tracks 1 to 5); and as Atlantic #1531, Sept. 4th, 1969 (tracks 6 to 14).
(P) & (C) 1994 Atlantic Recording Corp.
Produced under license from Atlantic Recording Corp.
Manufactured and distributed by Rhino Records Inc.
Made in Europe by Warner Music Manufacturing Europe
Con Julian Lage alla chitarra. Recorded at Fantasy Studios, Berkeley, CA, September 16-18, 2003.
Recorded at A&R Studios, New York City, July 23, 1970.
Previously released as [url=https://www.discogs.com/release/2071058-Gary-Burton-Keith-Jarrett-Gary-Burton-Keith-Jarrett]Atlantic SD 1577[/url] (Feb.21, 1971)
Tracks 1, 2, 4 & 5 published by Kundalini, BMI.
Track 3 published by Grayfriar, BMI & Wonderbuns, Inc, BMI.
© 1971 Atlantic Recording Corporation for the United States and WEA International Inc. for the world outside of the United States.
Released 1991 according to legal deposit at BNF.
Released in a jewel case with 8-page fold-out booklet-poster.
Originally released in 1963.
Super Audioo CD Hybrid
2LP su 1 CD: Conte Candoli & Lou Levy - West Coast Wailers e Chris Connor - Sings Ballads of the Sad Cafe.
Total time: 78:35
CD/DVD.
24 bit digital recording at Spiegelzelt (Magic Mirror Tent), München, Germany, March 17th,2003
additional recording at Fluxx Tonstudio, München, Germany, March 14th through 16th, 2003
CD Smartpac: 19532321.1-53 Herzog+Idex. CD-Packaging: M 9710405.1 Winter & Winter
Made in Germany
The Hoagy Carmichael Show 1/11/45, NBC Studios, Hollywood
Recorded on 18 & 19 September 1996
Dal vivo a Montreux con Roy Eldridge alla tromba, Zoot Sims al tenore, Clark Terry alla tromba e al flauto, Joe Pass alla chitarra, Tommy Flanagan al piano, Keter Betts al basso e Bobby Durham alla batteria. Prodotto da Norman Granz.
Recorded by Bob Simpson at RCA Recording Studios, New York City, November 1976.
Recorded in Los Angeles late summer 1958.
Originally issued in 1959.
Recorded at United Recording Studio "A", in Hollywood, July 27 (tracks 1 to 6) and 28 (tracks 7 to 9), 1964.
Unreleased studio recordings
This Compilation ? & ? 1997 by Fresh Sound Records
Recorded:
- Tracks 1 to 3 Hollywood 1956
- Tracks 4 to 9 Paris 1963
- Tracks 10 to 13 Hollywood 1956 + 1957
2CD.
Recording Dates:
- Tracks 1 to 5 New York, October 1958
- Tracks 6 to 10 New York November 1958
- Tracks 11 1o 25 Los Angeles September 1958
Tracks 1 to 10 previously released as [r=15359581].
Tracks 11 to 22 previously released as [m=386774]
Complete album ASPECTS as bonus added
Original recording made in Nov. 14, 1986
con Dizzy Gillespie e Quincy Jones
Con All-Star Sax Ensemble. Recorded October 18 and 19, 1988 at RCA Studios, New York, NY, USA.
cinquanta idee per realizzare semplici lavoretti creativi per pasqua. tra i progetti proposti ci sono festoni, biglietti, coroncine, ghirlande e anche collage, disegni e stencil. eta di lettura: da 6 anni.
un misterioso uovo arancione e` caduto nel bosco e lo trova una piccola fata curiosa che pensa sia indiscutibilmente un uovo di sole. il bosco viene attraversato dalla notizia e la storia si dipana con leggerezza, mistero e senso dell`umorismo. le illustrazioni intense e vibranti ci portano a passeggiare insieme ai personaggi in una foresta nordica in cui a tratti sembra di sentire anche la brezza del vento e il profumo del muschio. un classico imperdibile del 1932. eta` di lettura: da 4 anni.
le giornate si allungano, il sole scalda pelliccia e piume, e il topo, la volpe e il corvo salutano l`arrivo della primavera. ma dov`e lo scoiattolo? eccolo che arriva, molto emozionato perche ha una sorpresa! incuriositi, i suoi amici lo seguono passando tra prati fioriti e alberi da frutto. e difficile stargli dietro, corre velocissimo, ma una volta arrivati i quattro amici scopriranno che la sorpresa... ha sorpreso anche lo scoiattolo! un libro illustrato per bambini dai 4 anni, perfetto per scoprire insieme la magia della natura. una storia poetica e delicata sulla primavera, sulla bellezza del cambiamento, sull`amicizia e la collaborazione. eta di lettura: da 4 anni.
Con Louie Bellson alla batteria, Rosemary Clooney al canto, Michael Feinstein al piano e alla voce e John Pizzarelli alla voce e alla chitarra.
Recorded at various locations from 1996 through to 2002
Tracks 1 to 4: Recorded at Ampli, Pau, France in the spring of 2002.
Tracks 5 and 6: Recorded live at Purcell Room, London in the summer of 2000.
Tracks 7 to 10: Recorded at the Sons D'Iver Festival, Paris, France in the winter of 2000.
Tracks 11 to 14: Recorded at Roulette, New York City, in the winter of 1996.
Con Ana Caram, Paquito D'Rivera, Tom Harrell, Fred Hersch e Phil Woods.
2CD. Miglior disco dell'anno 1996 secondo la rivista Musica Jazz.