
Unlike [r8980688] which is in a thick jewel case, this release came in 2 separate cases per the Volume One/Two stated on front covers.
Tracks 1-1, 1-2: [r=4193487] ([a401287]), Ode #Z12-44-012, released 12/18/1968. Recorded At Sound Recorders, Hollywood, August 1968.
Tracks 1-3, 1-4: [url=http://www.discogs.com/release/946867]Writer[/url], Ode #77006, released 9/21/70. Recorded At Crystal Sound, Hollywood, March/April 1970.
Tracks 1-5 to 1-16: [r=1395530], Ode #77009, released 2/10/71. Recorded At A&M Studios, Hollywood, January 1971.
Tracks 1-17 to 2-1, 2-3: [r733564], Ode #77013, released 11/30/71. Recorded At A&M Studios, August/September 1971.
Track 2-2: From the motion picture Pocket Money, B-side of "[url=http://www.discogs.com/release/2674065]Sweet Seasons[/url]," Ode single #66022, 1/11/72
Tracks 2-4, 2-5, 2-7: [r=1512404], Ode #77016, released 10/4/72. Recorded At A&M Studios, July 1972.
Tracks 2-6, 2-8: Rhymes & Reasons Outtakes. Previously unreleased.
Track 2-9: [r=2029442], Ode #77018, 5/2/73. Recorded At A&M Studios, February 1973.
Track 2-10: Live In Central Park, New York City. Recorded 5/26/73. Previously unreleased.
Tracks 2-11 to 2-13: [r=1602932], Ode #77024, 7/18/74. Recorded At A&M Studios, April 1974.
Tracks 2-14, 2-15: [r=1871139], 1/31/75. Recorded At A&M Studios, May/June 1974.
Tracks 2-16, 2-17: [r=1731370], 12/15/75. Recorded At A&M Studios, August/September 1975.
Track 2-18: Live At Carnegie Hall, New York City, Recorded 6/18/71. Previously unreleased.
© 1994 Sony Music Entertainment Inc./? 1994 Sony Music Entertainment Inc./? 1972, 1973, 1974, 1975, 1976, 1994 Ode Records.

4CD. Longbox.
A song that only contains Antonio Carlos Jobim's name in the list indicates that there is no partnership or special participation in the track in question.
There is a 32-page booklet with photos from different phases of Tom's career and a biographical text written by João Máximo entitled "The man - or the adventure of being Tom" written in Portuguese and English.

Il nuovo album del duo doom australiano capitanato da Takiaya Reed prosegue la ricerca sonora della formazione in bilico tra drone music, metal e jazz per un suono unico e disturbante.