Rare registrazioni, scomparse nel tempo e ritrovate di recente, del grandissimo sassofonista jazz. Si tratta di brani dal vivo, registrati in varie locations tra la fine degli anni quaranta ed il 1954. Versioni inedite, anche di classici come A Night in Tunisia, oppure My Funny Valentine e Salt Peantus. Bella confezione, ben registrato, edito dalla Cleopatra di Los Angeles. Un marchio di garanzia.

3CD. Incisioni dal vivo rare: Vol. 4, Vol. 5 e Vol. 6.

Rare interviste e performance dal vivo

Raccolta di materiale dal vivo di Charlie Parker, Sonny Rollins, Erci Dolphy, Sidney Bechet, Coleman Hawkins, Dexter Gordon, Sonny Stitt, Cannonball Adderley e altri.

LP. S.C.A.M. JPG 1. Include brani di Parker in quintetto e quartetto. Tra i musicisti coinvolti: Roy Haynes, Buddy Rich, Charles Mingus, Max Roach, Bud Powell, Teddy Wilson ecc. Copia nuova non sigillata.

La colonna sonora del bellisimo film diretto da Clint Eastwood e interpretato da Forest Whitaker dedicatoo al grande sasofonista americano Charlie Parker. La soundtrack contiene ovviamente tutta musica di Parker allineando classici come Ornithology, Laura, Lester Leaps In, Cool Blues e molti altri.

Concerto di Charlie Parker, registrato in Svezia nel 1950. Edito una prima volta dalla Sonet nel 1959. Questo edizione della Storyville, Danimarca, è della fine anni settanta. Copia nuova di zecca.

Un classico assoluto. Charlie Parker, Dizzy Gillespie, Bud Powell, Charles Mingus e Max Roach. Un quintetto leggendario, dal vivo, assieme, nel 1953 a Toronto. Ristampa rimasterizzata, vinile 180 gramm i.

4 CD. Le migliori registrazioni di Charlie Parker, tratte dal catalogo Verve, con dischi quali Bird & Diz, Live at Massey Hall, Charlie Parker Big Band, Charlie Parker with Strings ed altri. Rimasterizzato.

2 CD. 54 brani, le classiche registrazioni fatte per la Savoy. rimasterizzate ad arte.

Famosa collaborazione, riedita nella celebration centennial collection di Parker, 1920-2020. Limited edition, 180 gram, BLUE Coloured vinyl.

2 CD. Una scoperta eccezionale. 58 brani inediti di Charle Parker, ritrovati di recente. Registrazioni con Charlie Parker Septet, Machito and His Afro-cuban Orchestra, con il quintetto e con un quartetto. Registrazioni con un gruppo di cui facevano parte Thelonious Monk, Buddy Rich, Curly Russell e Dizzy Gillespie. Parker e Gillespie senza gli altri, Parker da solo. Edizione completa, contiene 69 brani. Formidabile.

2 CD. Le famose registrazioni per la Savoy. Ristampa rimasterizzata.

Con Dizzy Gillespie. Recorded at the Birdland in New York
Track 1-4: March 31, 1951
Track 5-7: Spring 1951
Track 8-9: June 1953

Track 10 to 19 are Bonus Tracks

4CD. ? Definitive Records
?&© 2007 Definitive

Tracks 4-7, 4-8 and 4-9: previously unissued.
Tracks 4-12 to 4-14: Bonus tracks.

All tracks recorded at Carnegie Hall, New York.
Disc 1, 1 to 5: September 29, 1947
Disc 1, 6: December 1947. Recorded in studio conditions with no audience present.
Disc 1, 7: December 1947. Recorded in studio conditions with no audience present.
Disc 1, 8 to 11: February 11, 1949.
Disc 2: September 17 & 18, 1949 (The concert began in the night of Saturday 17 and ended in the early hours of Sunday 18).
Disc 3, 1 to 5: December 24, 1949.
Disc 3, 6 to 10: September 16 & 17, 1950 (The concert began in the night of Saturday 16 and ended in the early hours of Sunday 17).
Disc 3, 11 to 13: WNBC Radio Broadcast, 8:30 p.m. (First concert) Broadcast, November 14, 1952.
Disc 3, 14 to 16: Midnight (Second concert). November 15, 1952.
Disc 4, 1 to 3: Midnight (Second concert). November 15, 1952.
Disc 4, 4 to 6: September 25, 1954.
Disc 4, 7 to 9: February 11, 1949 (same concert as Disc 1, tracks 8 to 11)
Disc 4, 10 to 11: Summer (probably June 19), 1949 (acetate taken from a radio broadcast).

Bonus tracks:
Disc 4, 12 to 13: The Renaissance Ballroom, New York, May 19, 1950.
Disc 4, 14: Unknown club, New York, July, 1950.

Tracks 1 to 4 recorded at Storyville, Boston, March 10, 1953.
Tracks 5 to 9 recorded at Storyville, Boston, September 22, 1953.

Tracks 1 - 4: Norman Granz Jam Session, Radio Recorders Studios, Hollywood, first half of June 1952.
Tracks 5 - 7: Jazz at Midnight Jam Session, Howard Theater, Washington, D.C. October 17, 1952

Order of soloist:
FUNKY BLUES; Hodges, Parker, Carter, Peterson, Kassel, Shavers, Phillips, Webster, Peterson.
BALLAD MEDLEY: Kessel, Parker, Webster, Hodges, Peterson, Brown, Phillips, Carter.
JAM BLUES: Phillips, Carter, Peterson. Parker, Kessel, Webster, Hodges, Shavers.
WHAT IS THIS THING CALLED LOVE: Peterson, Webster, Shavers, Hodges, Kessel, Carter, Philliops, Parker, Peterson, Brown followed by 3 chouruses of 4 bars exchanges: Carter, Webster, Hodges, Phillips, Shavers, Parker

3 CD. Lussuoso box in metallo che contiene 3CD ed un libro. I Tre CD documentano tutte le registrazioni di studio, le master takes che Parker ha messo su nastro tra il 1947 ed il 1954, quando ha registrato per la Verve di Norman Granz.

Dizzy Gillespie, Charlie Parker, Stan Getz. Originally released in 1974 as Vee-Jay International 3056.

Con Dizzy Gillespie. Recorded in June 1950.

Con Dizzy Gillespie. Recorded live at Carnegie Hall on September 29, 1947.
Tracks 1-5 were performed by a quintet; tracks 6-15 were performed by a big band.

? & © 1997 Capitol Records, Inc.
Manufactured by Capitol Records, Inc., Hollywood and Vine Streets, Hollywood, California.

The booklet notes
that 6 selections by Ella Fitzgerald, accompanied by Dizzy and his orchestra, performed between the quintet and the big band sets, and 2 selections from the big band set - "Yesterdays", a feature for Milt Jackson's vibes, and "I Didn't Know What Time It Was" with vocals by Kenny Hagood - are not included in this album for reasons of technical deficiencies (mostly sung off mike).

2CD.
Recording information:
Private recording, Kansas City, mid-1940 (track 1-1).
Private recording, Trocadero Ballroom, Wichita, Kan., August 1940 (track 1-2).
Broadcast, KFBI Radio, Wichita, Kan., November 30, 1940 (tracks 1-3, 1-4).
Broadcast, KFBI Radio, Wichita, Kan., prob. December 2, 1940 (tracks 1-5 to 1-9).
Dallas, Tex., April 30, 1941 (tracks 1-10 to 1-12).
Chicago, November 18, 1941 (track 1-13).
NBC broadcast, "Blue Network," Savoy Ballroom, New York City, February 13, 1942 (tracks 1-14 to 1-17).
Private recording, Clark Monroe's Uptown House, New York City, January/March 1942 (track 1-18).
New York City, July 2, 1942 (tracks 2-1 to 2-3).
Private recording, Vic Damon Studios, Kansas City, September 1942 (tracks 2-4 to 2-7).
Private recording, Savoy Hotel, Room 305, Chicago, February 15, 1943 (track 2-8).
Poss. Savoy Hotel, Room 305, Chicago, poss. February 15, 1943 (tracks 2-9, 2-10).
Private recording, Savoy Hotel, Room 305, Chicago, February 28, 1943 (tracks 2-11 to 2-14).
Private recording, 1943 (Charlie Parker playing along with a Hazel Scott (p) record [Decca 18341, February 27, 1942]) (track 2-15).
Private recording, 1943 (Charlie Parker playing along with a Benny Goodman Trio record [Victor 25333, April 24, 1936]: Goodman (cl), Teddy Wilson (p), Gene Krupa (d)) (track 2-16).
Private recording, 1943 (Charlie Parker playing along with a Benny Goodman Quartet record [Victor 25644, July 30, 1937]: Goodman (cl), Teddy Wilson (p), Lionel Hampton (vib), Gene Krupa (d)) (track 2-17).
Broadcast, Savoy Ballroom, New York, late 1944 (track 2-18).

Tracks 1-10 to 1-13, 2-1 to 2-3: Decca

Artists for tracks taken from more complete CD booklet.

Total time (CD 1): 59:15
Total time (CD 2): 58:00

2 CDs come in a fatboy double jewel case with black trays and 48-page booklet.

? & © 1995 Média 7

Made in France.

Track 1: Recorded at Reeves Sound Studio, New York, July 5, 1950.
Track 2: Recorded at New York, January 23, 1952.
Track 3-4: Recorded at 1rst Avenue & East 44th Street, New York, March 25, 1952.
Track 5: Recorded at Fulton Recording Studios, New York, May 25, 1953.
Track 6-9: Recorded at Fine Sound Studios, New York, March 31, 1954.
Track 10-11: Recorded at Fine Sound Studios, New York, December 10, 1954.
Track 12: Recorded at Radio Recorders, Hollywood, CA, July 1952.

Track 12: CD Bonus Track.

Digitally remastered, Polygram Tape Facility USA.

Recording details:
1-4, 17-19, 22-25 July 30, 1953 at Fulton Studio, New York City
5-8, 20, 21 late December 1952 or early January 1953 in New York City
9-11 late March or early April 1950 in New York City
12 December 1947 at Carnegie Hall, New York City
13, 14 Fall 1950 possibly at Gjon Mili Studio, New York City
15, 16 probably February or March 1949 in New York City.

Part of the Verve Master Edition series.

Cover printing mistake on spines:
"CHARLIE PARKER" is misspelled as "CHARLE PARKER"

Track 1: Broadcast September 20, 1947
Track 2-5: Broadcast December 11, 1948
Track 6-8: Broadcast December 25, 1948