Musica

Two digipak CDs and a 48-page booklet inside a cardboard slipcase.

Tracks 1.01, 1.06, 1.11, 1.13, 1.17, 1.20 and 2.21 from Flood (January 1990).
Tracks 1.02, 1.22, 2.24 to 2.26 from Lincoln and recorded in (November 1988).
Tracks 1.03 and 1.15 from Don't Let's Start EP (November 1987).
Track 1.04 from Music From Malcolm In The Middle (January 2001).
Track 1.05 from Long Tall Weekend (July 1999)
Tracks 1.07 and 1.16 from Severe Tire Damage (August 1998).
Tracks 1.08, 1.23, 1.26, 2.05, 2.09, 2.11 from Apollo 18 (March 1992).
Track 1.09 from More Music From The Motion Picture Austin Powers: The Spy Who Shagged Me (October 1999).
Tracks 1.10, 2.02, 2.03, 2.06, 2.08, 2.15 and 2.18 from Factory Showroom (October 1996).
Tracks 1.12, 1.14, 1.18, and 1.21 from Mink Car (September 2001).
Tracks 1.19, 2.04, 2.10 and 2.20 from John Henry (September 1994).
Track 1.24 from (She Was A) Hotel Detective EP (June 1988).
Tracks 1.25, 2.01, 2.17, 2.19 from They Might Be Giants (November 1986).
Track 2.07 from No! (June 2002).
Tracks 2.12 (July 16, 2002), and 2.14 (March 10, 1989) are previously unreleased.
Track 2.13 from Why Does The Sun Shine? EP (September 1993) (incorrectly listed as being previously unreleased).
Track 2.16 from Working Undercover For The Man EP (May 2000) (incorrectly listed as being from No!)
Track 2.22 from unreleased Purple Toupee EP (1989).
Track 2.23 from They'll Need A Crane EP (March 1989).

2005 reissue of 1963 album

Cardboard Sleeve
CD Deluxe Vinyl Replica
Vinyl LP groove design
Collector Edition

Elektra Entertainment Group,
A Division Of Warner Communications Inc. A Time Warner Company,
75 Rockefeller Plaza, New York, NY 10019. 345 North Maple Drive, Beverly Hills, CA 90210.
?© 1996 Elektra Entertainment Group, A Division of Warner Communications Inc. for the United States and
WEA International Inc. for the world outside of the United States. All Rights Reserved. Printed in U.S.A.
Warning: Unauthorized reproduction of this recording is prohibited by Federal law and subject to criminal prosecution.

WWW.TMBG.COM

"Factory Showroom They Might Be Giants' Sixth Album"

Before the first track on the CD, there is an uncredited, unreleased minute long song that is called "Token Back To Brooklyn" which has appeared on their Dial-a-song answering machine, and also on the "They Got Lost" compilation. This track is not playable on some CD players.

Recorded at River Sound, Hit Factory, Sound on Sound, Clinton Studios, Coyote Studio and The Edison Laboratory
Track 12 "recorded without electricity on a 1898 Edison wax cylinder recording studio phonograph", "produced at the Edison National Historical Site, National Park Service, U.S. Department of Interior in West Orange, NJ"
Mastered at Sterling Sound

For free lyric sheet tour dates and merchandise information write:
Info Club, c/o TMB Productions, PO Box 110535, Williamsburgh Station,
Brooklyn, NY 11211-0003 or call (914) 359-0867 or visit
our web-site at http://www.tmbg.com
Still free, often busy Dial-A-Song (718) 387-6962

Amy Allison appears courtesy of Discovery Records.

All songs published by TMBG Music (BMI) except "New York City" published by Paw-Paw Publishing (ASCAP); and "James K. Polk" admin. Warner-Tamerlane Publishing Corp. (BMI).

© 1996 Elektra Entertainment Group, A Division of Warner Communications Inc. for the United States and WEA International Inc. for the world outside of the United States. All Rights Reserved. Printed in U.S.A.

DIAL-A-SONG
718-387-6962

? 1996 Elektra Entertainment Group, A Division of Warner Communications Inc. for the United States and WEA International Inc. for the world outside of the United States. A Time Warner Company. All Rights Reserved. Unauthorized duplication is a violation of applicable laws. Made in U.S.A. by WEA Manufacturing Inc.

Contains 8-panel folder booklet.

Jewel case with a clear tray

Disc 2: Short versions (no stories)

Live recording from
The Boarding House, San Francisco, California 16.9.1978
KSAN FM BROADCAST

Digipack.

USA Version 2009

Recorded Live March 8 & 9, 1974 At The Auditorium Theatre In Chicago.
Recorded Live For Gold Hill Enterprises, Inc. By Bill Halverson/Jordan Productions.
Mixed And Edited At Caribou Ranch, Nederland, Colorado In October 1975.
Digitally Remastered From The Original Master Tapes At Ocean View Digital, October 1991.

Wounded Bird Records Guilderland NY

? 1985, 1988 & 2003 Warner Bros. Records Inc.
Produced under license from Warner Bros. Records Inc.
Manufactured by Rhino Entertainment Company.
© 2003 Wounded Bird Records

A York-Pala Production
Subsidiary of: Greene/Stone Enterprises.

Originally released as ATCO LP 33-183, April, 1966.

Una raccolta con 20 successi del cantante americano con allegato un DVD con performance dell'epoca e un documentario sull'artista.

L'ultimo album della band southern/blues rock giapponese con influenze quali Allman Brothers Band, Lynyrd Skynyrd, Molly Hatchet.

Una selezione di apparizioni al programma televisivo di Jools Holland con Tom Jones, Solomon Burke, Eric Clapton, Michael McDonald, Ruby Turner e altri.

L'ultimo album (2023) del folksinger originario della Hudson Valley nello stato di New York, un artista che vanta una discografia di oltre 20 album e trascorsi accanto a Judy Collins, Odetta, Janis Ian o Tom Paxton. Qualcuno lo definisce una via di mezzo tra l'inventiva di Bob Dylan, la voce melodiosa di John Denver e il senso dello spettacolo dello scrittore Garrison Keillor.

Un album, questo “Dremong”, dove l’inquietudine è musa ispiratrice per quattordici canzoni senza tempo. I suoni delle tastiere vintage si sposano con quelli della chitarra classica, della chitarra elettrica, di strumenti tradizionali come il glockenspiel, la concertina, gli orientali gu-qin e go-zen, i flauti, il violino, la batteria, le percussioni e il basso fretless.
“Dremong” è un disco trasversale: progressive solo nei timbri, nostalgico della world music europea, affamato di accenni rock. In sostanza, è un album fatto da musicisti, con canzoni originali e inconfondibili, realizzate con passione artigianale senza imposizione di confini.

Album del 2019 del bravo cantautore italiano.

Ultimo album di studio (2020) del cantautore californiano. Copia non sigillata.

Live March 29th 1973 At Boston Paul's Mall Club.

Released in a standard jewelbox with an 18 pane single sheet foldout booklet.

Back cover: RHINO logo on upper middle and on spine.

Expanded version of the LP originally released 1978.

With Slipcase.

Made in the EU.

Includes a 10 page booklet with liner notes and photos.

Track 1 ? 1973 PolyGram Records, Inc under license from PolyGram Special Projects
Track 2 ? 1973 Capitol Records, Inc. under license from CEMA Special Markets
Track 3 ? 1973 Warner Bros. Records, Inc. produced under license from Warner Bros. Records Inc.
Track 4 ? 1974 Bearsville Records, Inc. under license from Bearsville Records, Inc.
Track 5 ? 1976 Virgin Records Ltd. licensed from Virgin Records America, Inc.
Track 6 ? 1977 CBS Inc. under license from Sony Music Special Products
Track 7 ? 1979 EMI Records, Ltd. courtesy of EMI Records, Ltd.
Track 8 ? 1979 CBS Inc. under license from Sony Music Special Products
Track 9 ? 1979 A&M Records, Inc. licensed from A&M Records, Inc.
Track 10 ? 1979 Arista Records, Inc. licensed from Arista Records, Inc.
Track 11 ? 1983 EMI Records USA under license from CEMA Special Markets
Track 12 ? 1983 Warner Bros. Records Inc. produced under license from Warner Bros. Records Inc.
Track 13 ? 1983 I.R.S. Inc. licensed from I.R.S. Inc.
Track 14 ? 1986 Virgin Records Ltd.courtesy of Geffen Records
Track 15 ? 1986 PolyGram Records Pty. Ltd. under license from PolyGram Special Projects
Track 16 ? Island Records, Inc. issued under license from Island Records, Inc.
Track 17 ? Chrysalis Records, Inc. licensed from Chrysalis Records, Inc.
Track 18 ? 1990 MCA Records, Inc. courtesy of MCA Records, Inc.

This compilation ? & © 1992 Rhino Records, Inc.

8-page booklet with credits and notes.
Black round custom sticker on the case that says "The Band That Became Neil Young's Crazy Horse EDCD520" (see pic)

On back cover & disc:
? 1968 White Whale Records / Varèse Sarabande
© 1997 Demon Records Ltd.
Manufactured in England

Publishing for original 1968 edition (on back cover):
Songs published by Ishmael Music Inc. / Golden Lizard (BMI) except
1, 2, 9 published by Ishmael Music Inc. / Inherit-Todd-Mark (BMI)

Publishing for this CD 1997 edition (on booklet):
Songs published by Longitude Music Co except
1 published by Chelsea Music Publishing Co. Ltd.
2, 9 published by Inherit Music / Longitude Music Co / Toddmark Pub Co.

Two separate jewel cases.

Recorded by: Hollywood Sound Systems - Jon Leblanc
Mixed at: Oceanway Studios - Richard Bosworth (Engineer), John Tyree (Second)
Production Manager: Walter Stewart
Design: Michelle Ingram

"23 Australian bands pay tribute to the genius of The Replacements" — subtitle from bottom of front sleeve.
See [a268769] for the Minneapolis band that inspired this tribute.

Released: July 26th 1999 (The ARIA Report Issue #491).

Track 8 by Erbs & Pisces combines both sides of The Replacements first single ("[m=838972]"), each song in left and right speaker. Track 8 was also released by [a2756165] on "[r=3610482]" 7-inch.

Track 11 is a live recording from JJJ's "Live At The Wireless".

Similar to [r=8543780] (made by EMI Uden) and [r=5138887] (made by Takt). This release was made by Sony DADC as indicated by matrix text and mastering/mould SID codes.

Tracks 2, 10, 13 to 15, 21 to 22 "not produced"
Track 4 "produced by other worldly sources"
Tracks 2, 10, 13 to 15, 21 to 22 "recorded live to two track"
Tracks 16 to 20 originally from the Chronic Town EP (1982). Recorded at Drive In Studio, Winston Salem, NC October 1981. Produced by Mitch Easter + R.E.M. Engineer: Mitch. Mastered by Greg Calbi at Sterling Sound.
Tracks 21 and 22 previously unavailable

Made in Holland. Printed in Holland.

Recorded at: The Warehouse Studios, Vancouver, British Columbia; John Keane Studios, Athens, Georgia; Dalkey Lodge, Dublin, Ireland; Windmill Lane Studios, Dublin, Ireland; The Hit Factory/Criteria Studios, Miami, Florida.
Mastered at Gateway Mastering Studios, Portland, Maine.

© ? 2001 R.E.M./Athens L.L.C.

Standard jewel case with white tray.

With [m25035] and [m767040].

Originally released as 2-LP in 1971.

Cover art: Tahitian Landscape by Paul Gaugain - The Minneapolis Institute of Arts, Minneaplois, Minnesota.

Recorded at Columbia Studio, New York.

Tracks 6, 9 and 10 ?1978 Parc Records, Inc.
Tracks 1 and 4 ?1979 Parc Records, Inc.
Tracks 2, 3, 5, 7 and 8 ?1993 Parc Records, Inc.
All Selections licensed from Parc Records, Inc.
This Compilation ?1993 Parc Records, Inc.
©1993 Rhino Records Inc.

Paisley Park Records, manufactured and distribution by Warner Bros. Records Inc. a Time Warner Company. 3300 Warner Blvd., Burbank. CA 91505-4694. 75 Rockefeller Plaza. New York NY 10019-6908. © 1993 Warner Bros. Records Inc. for the U.S. and WEA International Inc. for the world outside of the U.S. ? 1978, 1979, 1980, 1982, 1984, 1985, 1987, 1988, 1990, 1991, 1992, 1993 Warner Bros. Records Inc. for the U.S. and WEA International Inc. for the world outside of the U.S. All Rights Reserved. Paisley Park logo and Prince are registered trademarks of PRN Music Corporation. Warner Bros. logo is a registered trademark of Warner Bros. Records Inc. Unauthorized copying, hiring, lending, public performance and broadcasting of this recording prohibited. Made in Germany by WARNER MUSIC MANUFACTURING EUROPE

©1989 Sire Records Company
?1989 Sire Records Company

All songs ASCAP except tracks 1 to 3, 8 ASCAP/BMI

Tracks 13 to 24 are bonus tracks.
As the organist in the first Animals lineup, Alan Price was perhaps the most important instrumental contributor to their early run of hits. He left the group in 1965 after only a year or so of international success (he can be seen talking about his departure with Bob Dylan in the rockumentary Don't Look Back) to work on a solo career. Leading the Alan Price Set, he had a Top Ten British hit in 1966 with a reworking of "I Put a Spell on You," complete with Animals -ish organ breaks and bluesy vocals. The CD reissue on Repertoire doubles the length of the original LP by adding 12 bonus tracks from 1965-67 singles, including the brilliant British hit "I Put a Spell on You."!

Post-1994 repress of [r=703375] with Mould SID Codes.

Standard jewel case with a grey tray and a 8-page fold-out liner sheet contains credits, artwork & photos.

Recorded at The Woolhall (Bath) & Sarm Studio West (London) except:
3, 4, 6, 12 recorded at The Townhouse Studio (London), mixed at Mix This! (Los Angeles).
8 mixed at Metropolis (London).

Licensed by GEMA

? 1994 Warner Music UK Ltd. © 1994 Warner Music UK Ltd.
The copyright in this sound recording and artwork is owned by Warner Music UK Ltd. A Time Warner Co. Made in Germany by [Warner logo]Warner Music Manufacturing Europe.

CD was 'MADE IN GERMANY'.

Double gatefold sleeve.

Pretenders II was originally issued as Sire #3572 (7/81).

Disc 2:
Tracks 1 - 15 recorded September 4, 1981.
Recorded by Starfleet Blair, Inc.
Tracks 1 to 3, 5, 6, 8 to 13 & 15 first appeared on Pretenders Live At The Santa Monica Civic, Warner Bros. Music Show [Promo] #WBMS 121 (1982).
Track 4 & 7: B-side of "I Go To Sleep" [UK] Real/WEA single #ARE-18 (11/81).
Track 16: Recorded at FreeRange Studios, London - December 21, 1979 (previously unissued).
Track 17 & 18: Outtakes (previously unissued).

The artwork only gives phonographic and copyright credits to [l821], while the disc only gives credit to [l63704].
The MCAD-10813 IN02 only appears below the barcode. Everywhere else, it omits the IN02.

Recorded at Bell Sound Studios, Inc., N.Y.C., N.Y.

© 1965 Warner Bros. Records Inc.

Made in U.S.A.

Jewel case.

This Compilation ?&© 2005 Warner Bros. Records Inc., Manufactured and Marketed By Warner Strategic Marketing,
a Warner Music Group Company
Made and Printed in U.S.A.

With O-card cardboard slipcase as pictured.

Iconic Live Performances with rarely heard Symphonic arrangements

Made in E.U. printed on disc

"There But For Fortune" compiled by Michael Ochs.
Tracks 1-4 taken from "All The News That's Fit To Sing"
Tracks 5-8 taken from "I Ain't Marching Anymore"
Tracks 9-18 taken from "Phil Ochs In Concert".

"Part one of a two part CD set" - presented in a standard jewel case with front and reverse inserts.
Front 4pp insert booklet has a double-spread colour portrait of SN on the inside faces and reverse previews CD2 "out next week".

The only track time on the issue is for track 4.

Insert: Printed in UK
Disc: Made in UK

This Compilation ?&© 1993 Rhino Records Inc.

Compilation Notes:
Tracks 1, 2, 4 to 10, 12, 13, 15, 18: Recorded at [l299088], Muscle Shoals, Alabama
Track 3: Recorded at [l1751747], Sheffield, Alabama
Track 11: Recorded at [l333294], Sheffield, Alabama
Tracks 14, 16 and 17: Recorded at [l264127], Sheffield, Alabama

Track 1: From the single [m559393], released ©1962 [l36601].
Track 2: From the single [m462732], released ©1964 [l308562] Records.
Track 3: From the single [m153269], released ©1966 [l681] Records.
Track 4: From the single [m194191], released ©1966 [l25407].
Track 5: From the single [r2093627], recorded 1966, released ©1976 [l50998].
Track 6: From the single [m176097], released ©1966 [l681] Records.
Track 7: From the single [m205153], released ©1967 [l681] Records.
Track 8: From the single [m48950], released ©1967 [l3820].
Track 9: From the single [m173447], released ©1967 [l36003] Records.
Track 10: From the single [m549246], released ©1967 [l33931] Records.
Track 11: From the single [m503758], released ©1968 [l681] Records.
Track 12: From the single [m155409], released ©1968 [l681] Records.
Track 13: From the single [m187475], released ©1968 [l681] Records.
Track 14: From the single [m253016], released ©1969 [l3820].
Track 15: From the single [m200348], released ©1970 [l681] Records.
Track 16: From the single [m150263], released ©1972 [l24936] Records.
Track 17: From the single [m234748], released ©1972 [l24936] Records.
Track 18: From the single [m169871], released ©1969 [l681] Records.

First released in 1968
"Creates Something New Under The Sun" noted on back cover and in liner notes.

Recorded between 1965 and 1966.
Tracks taken from band's first two albums "Breakthrough" and "Colonization" as well as non-LP single sides on Centaur/Sentar label.

Tracks 1 to 10: mono.
Tracks 11 to 22: stereo.

Comes with a 16-page booklet.

Cat# on disc label: "SC 11016".
Cat# on spine: "SUNDAZED SC11016".

Each disc is presented in a separate jewel case, housed in a cardboard box.

The sleeves would indicate that the box itself has the catalogue number 'ZEN009CDX' and that Beats & B-Sides has 'BEAT1'; however, the matrix of the latter contains the catalogue number of the former.

Numbered edition of 4500 copies, presented in a foldout digipak with booklet insert

First official CD release of the final Monkees album (from the original run), part of the first installment of Rhino's Monkees' Original Classics re-issue series.
Issued in a standard jewel case with clear disc tray.

Early copies in this series each came with a 2-sided, 4" x 4" collectible card, 1 of 9 total in the series that also has the cat# of the album it came with. This one features a color shot of Micky. If you sent each of the 9 cards with S&H fee, Rhino would send you a limited edition Monkees watch.

Tracks 1 to 12 released as [m=280559], Colgems #119, 6/70.
Track 13: First issued on [m=97841], Rhino #70150 (CD reissue), 9/88.
Tracks 14 and 15: Released as Bell single #986 "[r=5358223]" by Davy Jones and Mickey {sic} Dolenz, 4/71.

Two Legends • Two Conversations • Two CDs
CD 1: Recorded Thursday, 7th January 2016, The Space At Westbury, Westbury, NY
CD 2: Recorded Saturday, 9th January 2016, The Memorial Auditorium, Montclair State University, Montclair, NJ
7A Records is proud to present An Evening With Peter Noone And Micky Dolenz. Listen to the lead singers of the Monkees and Herman's Hermits take turns to tell their fascinating life stories, as they open up and, for the first time ever, go on stage with no script, no songs - just conversation.

Digipack / 8 pages booklet / CD's with vinyl design

An 18-track set recorded live at The Second Fret club in Philadelphia in 1966, a full two years
before the release of her debut album 'Song To A Seagull'. The concert was
broadcast on Temple University's radio station WRTI on 17/11/66

- Original tracks taken from the "[m=31513]".
- Disc 1 Track 4 "You Oughta Know" Live From The Grammy's recorded live at the 1996 Grammy Awards on February 28, 1996 at Shrine Auditorium, Los Angeles, CA. Mixed live in the Effanel Mobile Truck.
- Disc 5 Track 4 "Hand In My Pocket" Live from Brisbane recorded at Festival Hall on May 5, 1996.
- Disc 5 Track 5 "Ironic" Live From Sydney recorded at Enmore Theatre on May 1, 1996.
- Made in Germany.

Originally issued as Warner Bros. Records album BS 3042 (1977)

Tracks 1 & 2 are Mono. All remaining tracks are Stereo.

Disc 2 is Rare B-sides, Soundtrack and Compilation Songs.
Limited Edition Released in the form of a Book in Hard Bound Hessian Cover
Barcode is on sticker on shrinkwrap only

The Wea Warner Bros. Logo is on the Matrix / Runout of both CD's

? & © Alive Records 1995

All songs Copyright Control

Tracks 1 to 12 recorded at GM Studios, East Detroit, MI, July 21 - 25, 1969
Tracks 13 & 14 recorded at First Unitarian Church, Detroit, MI, September 8, 1968

On rear cover:
The pre-production rehearsals for "Back in the USA." recorded in July 1969 and before the producer had completely stripped the band of its power.
Dedicated to the memory of [a293266] & [a434552].

Recorded live at various venues, including The Sturgis Armoury, a military installation that doubled as a West Michigan dance hall ( from liner notes ).

Tracks published
1, 2, 4 to 8, 11, 14 and 16 Warner Chappell Music Ltd.
3 Fred Dewey Smith / Wayne Kramer / Dennis Thompson / Rob Tyner / Michael H. Davis
9 Polygram Music Publishing Ltd.
10 ATV Music Ltd.
12 Rondor Music (UK) Ltd. / Warner Chappell Music Ltd.
13 Dick James Music Ltd.
15 Carlin Music Corp.

Black round sticker on front

Made in England

Issued in a standard jewel case containing a 12-page booklet with White Panther Statement, liner notes, pics and credits

Back cover:
More than 60 minutes of unreleased recordings

Disc:
? & © Alive Records 1994

Booklet:
1 to 6: Total Energy Music, BMI
7: Copyright Control
8: East/Memphis Music, BMI
9: Polygram Int., Inc., BMI

1: Recorded at United Sound Studios, Detroit, January 4, 1968. Produced for Russ Gibb Productions. (Instrumental track never previously released)
2: Recorded 'live' at the Grande Ballroom, Detroit, Michigan, October 27, 1968. Digitally transferred from original 7" master tapes [...] at Chez Flames Recording, New Orleans, January 7, 1993. (Never previously released)
3: Recording date and location unknown (probably Detroit, late 1969). Digitally transferred from original master tapes [...] at Chez Flames Recording, New Orleans, June 1994. (Never previously released)
4 to 6: Recorded direct to 2-track at Head Sounds Studios, Ypsilanti, Michigan, late October early November, 1970. Digitally transferred from original master tapes [...] at Chez Flames Recording, New Orleans, April-May 1994. (Never previously released)
7, 8: Recorded live at "Dialogue '68" at the First Unitarian Church, Cass & Forest, Detroit, Michigan, September 7, 1968. Digitally transferred from original master tapes [...] at Chez Flames Recording, New Orleans, June 1994. (Never previously released)
9: Recorded live at "Dialogue '68" at the First Unitarian Church, Cass & Forest, Detroit, Michigan, September 8, 1968. Digitally transferred from original master tapes [...] at Chez Flames Recording, New Orleans, June 1994. (First authorized release)

Premastering at Music Box Studio, Hollywood, CA.
Denoising on tracks 3, 7 to 9 at Olive Street Digital Post Studio, Burbank, CA.
Mastering at Digiprep, Hollywood, CA.

? & © Alive Records 1994